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Archive for the ‘Spotlight’ Category

Since the novels of Harry Potter and the Twilight franchise have made young adult fiction the hot “it” brand in the world of the written word, countless books centered on teens and young adults have been published or, in some cases, been rediscovered by readers of every age.

J. Gabriel Gates

One such new series of novels that readers should be on the look-out for is The Tracks series of books by J. Gabriel Gates and Charlene Keel, the co-authors of the recently released book entitled “Dark Territory,” published by the Teen division of HCI Books – best known for the life-changing “Chicken Soup for the Soul” series of novels. “Dark Territory” was released nationwide on July 1 of this year.

Dark Territory” has been described as ‘West Side Story meets Twilight’ and author Gates has been hailed as the ‘best new supernatural fiction writer on Earth’. It has also been said that his latest book ‘combines the perfect blend of star-crossed love, kung fu and magic in a story that has all the makings of becoming a box-office smash hit.

The story contained inside the cover of this exciting new book series is about a young man from the back streets of Los Angeles who never expected to find himself in the middle of a gang war when he moved to a small, quiet town. But these are no ordinary gangs nor is this an ordinary town. When an awesome power is discovered at work in the tunnels under the railroad tracks, the two gangs set out on a terrifying mystical quest to fight a force that not only threatens their town, but possibly the whole world.

Dark Territory

To delve more into “Dark Territory” let’s take a look at a more in-depth explanation about the story:

In the quaint town of Middleburg, an abandoned train yard and old railroad tracks form the dividing line between two rival gangs – the wealthy, preppy Toppers and the working-class Flatliners. When Raphael, the leader of the Flatliners, falls in love with Aimee, a Topper girl, the rival gangs prepare to do battle . . . but not with guns and knives. Their martial arts’ training dictates a strict code of honor, which all of the gang members adhere to. The only hope for peace between the rival gangs lies within the giant X formed where the railroad tracks cross. The awesome power contained in the X sends the Flatliners and the Toppers on a mystical quest to fight against malevolent forces that threaten the existence of Middleburg—and maybe the world.

I recently had the opportunity to interview the co-authors on what inspired them to create the unique world of The Tracks series among many other subjects. Here is what these talented writers had to share with me:

Question: What inspired you to write this story?

Gates: The initial inspiration came when I was taking a Wing Chun kung fu class and my girlfriend at the time and her friends were watching teen dramas and I thought: “wouldn’t it be cool to make a teen drama with kung fu?” The initial idea was for The Tracks to be a TV show, but Char had the idea to make a book series out of it. Aside from that, though, it has a lot of themes that are interesting and important to me: class relations, conflict resolution, spiritual growth and meditation.

Keel: For me, I guess the short answer is ambition, possible financial reward, and the creative urge to spin a great yarn.

Question: How long was the story in development and how long did it take you to write “Dark Territory”?

Gates: This one spent a long time in the hopper! I came up with the TV show idea and Char and I wrote a treatment for it back in 2005 or so. It was in about 2010 that she came to me and suggested that we pitch it to publishers as a teen series. But sometimes ideas are like fine wine – the longer they sit on the shelf, they more they mature. I think this story benefitted from its long gestation period.

Keel: Jacob came to me with a great premise…it grabbed me right away but I thought it needed something else. When I ran it by my best friend and spiritual brother, Christian Osborne, he listened quietly and said one thing: ‘Make it magic.’…Jake liked the idea, and we went to work on a treatment for a TV series, which took maybe two weeks to write. (Unfortunately), circumstances took me back to Florida and it (wasn’t until) six years later, thanks to my friend Herman Rush introducing me to Peter Vegso, that we pitched it to HCI Books. All we had at that point was the TV treatment, which we had turned into a book proposal. It took us about 5 months to write “Dark Territory”.

Question: How did you come together to work on this book?

Gates: Back in 2005, I was living in LA. I had just finished writing my second novel and was trying to figure out how to get a literary agent. Like all young writers, I was getting nothing but rejections from the loads of query letters I sent out, so I put an ad on Craigslist titled: “Young Author Seeks Mentor” (and) Char answered. It was her idea that we should come up with TV show ideas and pitch them to the studios together. (But then she) moved back to Florida before we ever got around to pitching any of our TV ideas. Years later, she called me up about pitching The Tracks as a book series that we would write together. I agreed, she pitched the idea to HCI, and here we are.

Keel: (Yes), we met through (the ad) on Craigslist. I already had many TV credits (under my belt, but) I’d reached that certain age where women start to become sort of invisible in Tinseltown. I had no problem getting pitch meetings…but more and more I was pitching to very young studio executives. I was getting really annoyed with the stunned looks on their faces when someone their mother’s age walked in…(ironically) I was about to place a notice on Craigslist…when I saw Jake’s ad, looking for a mentor. I got in touch, we met for lunch and hit it off—and I was delighted to find that his writing talent is awesome.

Question:  What was the most difficult scene to write?

Gates: I wouldn’t say that any of it was too difficult – when you have a story and characters this great, it really just flows. But Char was definitely the expert on writing the romantic sections, especially from the female point of view. It’s hard for a guy author to get excited about how alluring his hero’s cologne smells! I think the story really benefitted from having both our perspectives, the Yin and the Yang.

Keel: For me, the battle scenes, so Jake took those on and I did very little tweaking on them. I have absolutely no training in martial arts, so I happily bow to his expertise.

Question: Can you provide a general premise for the book beyond the (general) description?

Gates: It truly is something new: a modern literary soap opera. It has something for everyone. You have a gang war, forbidden love, magic, Eastern mysticism, humor, teen shenanigans, popularity anxiety, looming catastrophic evil, and lots and lots of action. I loved the idea all along, but the more great feedback I get from readers, the more excited I am about “Dark Territory”.

Keel: Jake pretty much nailed it with his answer. I also like the way one reviewer describes it: “When Ignacio Torrez moves from the rough streets of Los Angeles to a small town dead smack in the middle of nowhere, he never expects to find himself in the midst of a gang war.” I think that kind of grabs a reader.

(Part 2 of this article will be posted tomorrow at 12 Noon.)

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Do you like Star Wars? How about art? Those two types of interests may not sound like they work well together, but that certainly isn’t the case where the “Art from a Galaxy Far Far Away” exhibit is concerned.

Professional illustrator and painter Randy Martinez and Denise Vasquez will be showing their Star Wars-inspired work at Hold Up Art (located at 358 E. Second Street in Los Angeles) from August 20 through September 15.

Art from a Galaxy Far Far Away (Photo By: Hold Up Art)

The “Art from a Galaxy Far Far Away” is a celebration of the cultural phenomenon that is Star Wars through the showcasing of artwork inspired by the 1977 film, its sequels, prequels and the litany of auxiliary characters created by George Lucas.

“Star Wars became one of my earliest childhood obsessions, and to do a show now celebrating not only the film, but the art behind the scenes as well as the fantastic characters that make up the world of Star Wars, has me reverting to my 10 year old self again!” says Brian Lee, Hold Up Art curator. “The culture and fanaticism of Star Wars had not only permeated every aspect of pop culture today; from music to politics, but has forever left its mark on our expectations of science fiction, cinema and traditional narratives.”

Randy Martinez is one of the most renowned illustrators of his time. His work depicting Lucasfilms’ Star Wars characters launched him to the forefront of the genre, and can be seen in Star Wars Insider, Scholastic Books, Topps Trading Cards, and the Star Wars Celebrations II-V (Europe and Japan). In addition to his work on Star Wars, Randy is one of today’s premiere sketch card artists. He is a fixture for Topps Trading Cards. He began drawing for them in 2004 and garnered numerous accolades on titles such as Lord of the Rings, Heroes, Terminator, and Marvel Comics. Recently, Randy added the credit of author to his resume. He has published two titles with Impact Books, “Creature Features: Learn to Draw Monsters and Aliens” and “Sketch Card Mania”.

Denise Vasquez is an artist working in many mediums: actress, illustrator, author, custom toy designer and award-winning singer/songwriter/guitarist. She current creates custom vinyl toys for Ben Pot Toiz, and has worked with other companies such as DKE Toys, Topps and others. Denise’s vinyl dolls have been collected by Stan Lee and are featured on Conan O’Brien’s “COCO MoCa: Museum of Conan Art”.

Alongside the paintings and reproductions of Randy’s work, Denise will be featuring several original hand-crafted vinyl toys, including the unveiling of her Dia de Los Meurtos take on the Darth Vader helmet. This one of a kind helmet will be up for auction throughout the exhibition. Bids will be accepted online and over the phone. Interested bidders should contact Hold Up Art at (213) 221-4585 for further details.

There will be an opening reception on August 20, 2011 from 7 PM to 11 PM where a musical mash up of Randy and Denise’s favorite music will be featured along with selections from the Star Wars score and even favorite clips from the Star Wars films projected in the gallery

For more information about this and other exhibits, please visit Hold Up Art here.

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Kevin Herrera as Alaster Stone in Project: Elysium

Imagine you have an endless supply of cash, wealthy behind all imagination, and you fund a program where you can do anything, be anyone and go anywhere – that is Project: Elysium. But, as Alaster Stone (Kevin Herrera) – the man behind and within that program – quickly learns from a scientist named The Consultant (Meaghan MacLean), he can’t be extracted from that well-crafted world. How much will he sacrifice to have it all? That is the interesting premise of the new short film by up-and-coming, young director Devon Newberry.

Coming off an incredible response to a private school screening of the short film at the CSU Long Beach Spring Showcase in May and after having the film selected into the 15th annual LA Short Film Festival last month, Project: Elysium will be available for viewing online tomorrow Tuesday, August 9.

Meaghan MacLean as The Consultant in Project: Elysium

I recently had the opportunity to interview Devon Newberry about his latest project, the work that went into completing that film and much more. Here is what he had to share:

Question: What was the driving factor behind your making this film?

Newberry: I was looking for something to direct, as it had been a few months since I directed a short called “See Ryan”. My good friend and one of my producing partners, Aaron Rubin, presented me the script for this movie, asking me to only do rewrites. After I wrote a couple drafts, I sort of, subconsciously, geared my rewrites as a directorial vehicle for myself. I was fortunate enough that after I did my pitch with Michael Demas, who wrote the original idea and the first draft, he was comfortable enough to let me direct. Aaron Rubin was on my side the whole time and played a role in planting the seed to get me in the directing chair, but I think it came down to the pitch between Demas and I.

Question: What was the hardest aspect of filming Project: Elysium?

Newberry: Honestly, it was a breeze. I thrive on high-pressure situations and with Elysium, it was my first ‘big-budget’ short. There are a lot of visual effects. We had a lot to shoot in a very short amount of time, and we were fighting nature. It was probably a nightmare for the production team, but I just move in stride and work as I go. We shot under schedule and initially shot under-budget; it ended up being a really smooth shoot. I think the pace at which I shoot was new for the crew, as a lot of the team was new and hadn’t worked with me yet, but Luke Dejoras and I, my director of photography, run-and-gun. Luke is one of those guys who can shoot at whatever speed is presented, but I rarely do more than four takes and I try to shoot as much as possible, as fast as possible. It’s a lot of fun.

Behind the Scenes of Project: Elysium with Director Devon Newberry

Question: How long did it take to film and then work on post-production?

Newberry: I was hired to direct the film in October 2010, and I initially wanted to shoot in December 2010, but (realistically) there was no way (that) was going to happen. I cast the film before the New Year, but my team and I didn’t start official pre-production until January 2011. We were scheduled to shoot in February; but, of course, on the weekend we were scheduled to shoot, we got rained out – and the movie is 95% exterior. We ended up shooting the film in March and had a REALLY quick turn-around to hit some festival deadlines. My wonderful editor, Aaron Robinson, cut the film, did all the VFX – all that jazz – in six weeks. It was pretty extensive. He did an incredible, incredible job.

Question: How long were you in development, putting the script and pre-production together?

Newberry: We spent 5 to 6 months preparing it from first rewrite to day one of production. It didn’t take too long. It was just a matter of putting the pieces together.

Rupa Shah as The Woman in Project: Elysium

Question: Was the casting process easy or hard? Can you elaborate on that whole process?

Newberry: For me, it’s easy. I’m a big fan of the actors I’ve worked with and I’m always interested in working with first time actors – which is one of those high risk/high reward actions, as it’s terribly easy to cast a dud – so I cast based off reels, looks, motivation, etc. I had told Kevin [Herrera] about the script and told him I wanted him to play Alaster Stone well before I signed on as director, and the cast fell in place from there. I had wanted to work with Meaghan [MacLean] for a couple of years prior to this and immediately brought her on, then Ron Drynan and Rupa Shah came pretty quick. Funny thing about Rupa, she was cast two days before production began. We started shooting on a Friday and on Wednesday night she confirmed that she was in. The original actress cast to play The Woman had to drop out due to scheduling conflicts, so a little bit of improvisation was required. I think it worked out for us.

Question: What was the inspiration for you to want to become a director?

Newberry: There were a (number) of factors, all entertainment based, that eventually led to directing. I wrote and directed an awful, awful play in junior high that got a standing ovation and an A+ in the class. But in retrospect, it was a pretty goofy, Lord of the Rings-inspired play. So that kind of kick-started it. I went on a tram tour at Universal Studios one day and saw the set where a big truck collapses through the roof into the subway and water pours from the side and thought, “Man, I really want to build sets… so I can destroy them!” But that only lasted so long, as I’m awful at math and anything that requires a hammer. (Instead I) started making movies and felt 100 percent comfortable and confident in what I was doing.

One Sheet Poster for Project: Elysium

Question: What is the best advice you can provide other young directors?

Newberry: Make YOUR movies. Make the movies YOU want to make. It’s easy for young filmmakers to try to make movies (like those) of the directors that inspire them or make movies they think people want to see, but they really need to be thinking about what they want to see. If you’re confident in what you’re doing, in the movies you’re making, the audience will be able to tell. There’s nothing worse than seeing an inconsistent movie because the filmmakers weren’t sure what they wanted to do. I can’t be the next Christopher Nolan, Michael Bay, Steven Spielberg, etc… but I can be the first and best Devon Newberry possible. That’s all I can do.

Question: Can you share any details on your next film?

Newberry: I start shooting a small, pseudo-indie short called Phynes with actor Dominick Aznavour on September 2. We’re shooting on a shoe-string budget – MUCH smaller than Project: Elysium – and we’re hoping to show it in January. It should be done by then, (and) there’s only one VFX shot. Otherwise, it’s all character. I have plans after that as well. When I was rewriting Project: Elysium, I had a trilogy in mind. I wanted to be able to one-off the first film in case people didn’t respond well to it, but I wanted to continue Alaster’s story if the audience wanted to see more. I can confirm that Project: Elysium 2 is deep in the writing process and some early prep has begun. I can also confirm we’re doing tests to see if we can shoot it in 3D – which would be totally new for us – and I can confirm we’re going to raise the bar. It’s going to be exciting.

Question: Where is the best place for fans to reach you, learn more about your work and upcoming projects?

Newberry: I’m all over the place. I have an “official site“. I’m on Facebook (he can be found under Devon Newberry there), I do the whole Twitter thing (he can be found @DevonNewberry), I email. I love feedback – good AND bad – so I encourage people to (reach me by any of those means) to say how much they loved or hated what I do. My team and I can’t get better if no voices are heard, SO BE LOUD!

With those thoughts in mind, make sure to check out Project: Elysium when it goes live online tomorrow August 9, get in touch with Devon with your thoughts on the film and keep an eye out for more of his work next year. He is definitely a director and writer to be on the lookout for in the future.

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